But in the past, its been the case that either people overemphasize Western influences or they overemphasize the traditional. This is caught as Bei Dao uses more powerful imagery, tying in both vision and sound i. e. 'begins to sound in the darkness', 'darkness' merely representing the suppression of the people, and 'begins to sound' to emphasize that his encounter with all these people have shown him something different, as they seem to be starting to stand up for themselves by sharing opinions, which by itself is going against this 'darkness'. Bei Dao's poem suggests a social order in which people can decline to believe that the sky is blue, or that dreams are false, and that won't be the end of the world. Who is the speaker in the poem answer Class 8? The country that perceived themselves as superior to all outsiders and invincible in battle was shown just how incapable they were. Using examples from both East and the West, any reader will surely feel the immense heat, and pressure of "ruling" his own kingdom, his financial palace. And it is the responsibility of each individual to struggle against this the best way he can.. Dont let this American culture take you over. But in fact I discovered that its very difficult to define American culture. But Bei Dao was quick to take issue with one premise of my question, denying that he is a leader of any movement. Reading about his work, it is hard not to conjure up an almost mythic image of the man. He is hailed internationally, in both literary journals and the popular press, as one of Chinas most extraordinary young talents and as a driving force behind the 1976-79 Democracy Movement. There are writers in China who have criticized the government openly in their work. it is a powerfull affirmation of humanity. the book of failure grows boundless and deep. It contained no political statements whatsoever. From roughly 1979 to 1989, a group of poets called the Misty Poets (Mnglng Shi Rn) arose in post-Maoist China. Let all the brackish water pour into my heart; Let humanity choose a peak for existence again. Love your fresh and interesting work Jeffery thanks so much for making it available. In English he is represented by numerous collections of poetry, fiction, and essays, includingThe Rose of With the drifting twisted shadows of the dead. the answer is one of the poems of misty poetry of 1970s. For a more general statement on the position of Bei Dao's work in contemporary Chinese literature, see my "Writers and Performers, Their Works, Two of the newer pieces caught my attention immediately. He has received numerous international awards for his poetry, and is an honorary member of the American Academy of Arts and Letters. To begin with, the primary reason of the uncontrollable Opium trade was the ineptness of the moribund corrupted Qing government. In fact, the speaker ridicules the post-totalitarian system, indicating that he refuses to believe the reality that has been crafted by the Communist Party. In the next two stanzas of "The Answer," the speaker asserts that his purpose in life is to "proclaim before judgement" that "I-do-not-believe! He did not return to China but traveled throughout the West, gaining an international audience for his poetry, which began to reflect his profound sorrow at separation from his family and homeland. "Knowledge of death is the only key that can open midnight's gate."Bei Dao Bei Dao has gained international acclaim over the last decade for his haunting interior poetic landscapes; his poetry is translated and published in some twenty-five languages around the world. His poetry and prose are not available in China today. People have no means of free expression.. who's the visitor? I dont want you to mistake my meaning: I think that the modern language in China is a very beautiful thing. Here, the title of the poem does not indicate a simple reminiscence, but serving a far deeper meaning and purpose as well as a grasp of experience. Once I goose-stepped across the squaremy head shaved barethe better to seek the sunbut in that season of madnessseeing the cold-faced goats on the other sideof the fence I changed direction. No doubts about Communism, the Party, or the system itself. Indeed, Bei Dao was born into a prosperous, well-educated family; he attended the same secondary school as many of Chinas political elite and seemed destined to attain the comfortable life the Party accorded to its loyal professionals. The Ice Age is over now,Why is there ice everywhere?The Cape of Good Hope has been discovered,Why do a thousand sails contest the Dead Sea? Much of his early work, as well as that of other Misty poets, appeared in the influential underground journal that he co-founded in 1978, Jintian (Today). Postscript When I first met with Bei Dao, he had been in exile from his homeland for only two years and was still trying to come to terms with his new life in the West. The most important struggle in China has been who has control over the language. The aggravated tone in these lines portrays the fearlessness of the speaker and his willingness to challenge the power structure. So with our educationat school and at homeit was taken for granted we lived in the best of all possible societies. On one hand, of course, I feel incredible pride. Zhao Zhenkai was born on August 2, 1949, in Beijing. Subsequently/Next, Bei Dao gets more serious about the issue as he states 'like the masthead light reflected in water', the 'masthead light' representing all the people in China, and the 'reflected water' being a mere representation of purity and innocence or a ripple affect, symbolizing how all the people who are suppressed seem to realize their own rights and are slowly starting to rub off on one another as more and more people get influenced and start fighting for themselves and their own freedom and happiness. On the other hand, I dont like the idea of international culture. Even to define Chinese culture is a very complex question because you can talk about popular culture, mass culture, the culture of the Court, the culture of the Chinese minorities. This rereading of Bei Dao's canonical poem and other related texts goes back to the late 1970s, when the political implications of the human senses were firmly grasped and heatedly debated. All is repeated several times throughout the poem and stands for the idea that our . There is a sort of traditional belief in China that ones name and ones fate are linked together.. And this, for me, is an enormous problem to deal with….Naturally, for Western readers, theyre very happy to feel that I belong to the Democracy Movement as a leader. But I see myself, first and foremost, as a creative artist, as a poet.. . See how the gilded sky is covered With the drifting twisted shadows of the dead. 180. I follow it through the meaning of the East. Over coffee, we chatted about the changes in our personal lives. . When he and Mang Ke began their poetry journal, they were careful to make it a purely literary forum. This phenomena really took off in the late stages of the Cultural Revolution when all our word-groups became fixed by the Partyand this was seen in newspapers, broadcasts, and in the language people used to speak with each other. But it is just as applicable to the West: you become accomplices to the commercialization of your culture. Notice, how drastic the change is from the beginning of the poem's first five lines to the poems last four lines. Bei Dao seemed to be pleased by the irony of the situation. Depending on which section you were seated inamong the silver-haired alumni in the front rows or the recent undergraduates toward the rearthe remarks were greeted with expressions ranging from outrage to wild applause. I began by asking the poet about the significance of his pen name, which in Chinese means North Island. It seemed a simple enough starting point. I became fed up and began to resent the interviews. Although the poet had some command of English, Iona served as translator for our talks. And I see this not only for myself but as a phenomenon that has happened to many writers and artists in the twentieth century.. It does have a function to play but it is never broadcast in broad terms.. As a writer and a poet, I am part of a search to find a new language of expression [within the Chinese]. Bei Dao - The Answer 0. The Answer By Bei Dao Translated by Bonnie S. McDougall Debasement is the password of the base, Nobility the epitaph of the noble. the answer by bei dao summary and analysis 21st May 2022 . Drawing a connection to Havel's essay, the reader will note that "ice" represents automatism, as people surrender their right to free thought and expression. When I was interviewed, things went very well. While every effort has been made to follow citation style rules, there may be some discrepancies. I clicked off the tape recorder, and our host graciously retreated to make us some tea. Disturbing, enigmatic, and darkly comic, it has been staged continually since its 1965 debut. He was one of the originators of menglongshi (misty poetry or shadows poetry), which uses metaphor and cryptic language to express beauty and yearnings for freedom, while avoiding direct discussions of contemporary political and social issues. The Dao of Capital is a book that surely gives a lot of attention to practices, common for the middle ages, and the transition from basic to globalized markets. . Bei Dao, " New Year " (translated by David Hinton with Yanbing Chen . The struggle among artists and writers in China has been to separate writing and creative impulses from politics. He survived by taking temporary teaching positions, searching for, if not home, at least refuge, a place and a community where he might gain some measure of peace. Then these movements clearly identified the mistrusted agencies. You give the example of Solzhenitsyn: he lives in the U.S., and the majority of his readership is in the U.S. and the Westand look at how he was able to speak outso what does that say about American culture?, The poets cautionary message was that the invisible walls we tolerate can box us in as surely as the more concrete ones in China. As 'Recollection' was written during a time of change and revolution, along with our understanding of how Bei Dao opposed the Maoist society, the first five lines use of unrealistic/imaginative imagery along with how these five lines tie in with the title, can suggest the numerous amounts of people who felt the same way about the changing society of China. They used slogans like dont tread on me to convince people that the government had the worst in mind for the citizens. (2017, Sep 18). It is very frightening. Rather than the impassioned firebrand I had expected, I found a quiet spirit, extremely shy and intensely private. When you write poetry in China, you work within the context of a national entity with a very well-defined cultural background. The revolution was an attack aimed . The Homecoming Summary. 10 minutes with: Explore how the human body functions as one unit in harmony in order to life //= $post_title Now Bei Dao and I conversed with our own limited resources, hand and facial gestures counting for as much as the broken phrases. Here, Bei Dao uses the creativity, tone, language, trope and theme of this poem to emphasize and be a representative of all the people who were stuck in a Maoist society, as he states the peoples capacity for freedom and their uprising and realization that suppression is acknowledged, however not and will never be achieved. But you have to understand that the social background in China is so very different. But we walked and chatted, he straining to summon his words of English, I struggling to simplify mine. So now I have to think more in terms of overseas readers, and this, of course, has created a major change for me. Much of his work addresses the topics of freedom and exile, in a way that poet Michael Palmer says abjures overt political rhetoric while simultaneously keeping faith with his passionate belief in social reform and freedom of the creative imagination.. Of the many trials he has undergone in the West, this is perhaps the most threatening: the power of what he calls mass culture, the ubiquitous and unstoppable media machine that is constantly grinding lives into story lines and human voices into carefully polished sound bites. Throughout the 1990s, he would wander between European and Scandinavian cities, eventually settling in the United States. A member of the Red Guards for a short time and then a construction worker, he began to write as a substitute for active political involvement and as a protest against contemporary official literature. Bei Dao Biography. 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